The film focuses on Rajasthan’s caste and feudal structure. Ranjit Singh Chaudhary (Dharmendra) is the son of a peasant who lives in a hamlet ruled by the wealthy Thakur family. Ranjit, an adolescent attending a country school, is defiant of deeply ingrained caste biases and discriminatory customs. He is bullied by the landlord’s two boys, who are his age. Two more students at the same school sympathise with Ranjit. These are the schoolmaster’s and the wealthy landlord’s daughters (sister of the bullies). Ranjit flees to the city, sick of the exploitation he witnesses around him. In this blog we are going to tell you the Ghulami Movie Review, so read this full blog to get the complete information.
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Ranjit’s father dies some years later, and a telegram invites him back to the town to deliver the final rites. When Ranjit arrives, he discovers that nothing has changed in the village. He is also told that his father borrowed money from the landlord to pay for his medicines and treatment, and that Ranjit must repay those debts or losing his lands and house, which served as security for the loan. Ranjit considers this to be a major injustice. His theory is that the peasants have been tilling the land and working hard for many years, that the landlord just owns the property and does no labour, and so if the landlord lends money to a peasant, the loan does not need to be repaid. For the sake of the spectators, a lengthy and impassioned speech delineates this rationale.
The circumstances plainly need a class war and revolution, which Ranjit promptly ignites. He starts by rushing into the landlord’s living room, accusing him and his predecessors of being bloodsuckers and daring him to seize the mortgaged land if he dares. The landlord’s daughter (Smita Patil), who is listening from behind a closed door, is blown away by the spectacle created by her former classmate. Ranjit then returns home to conduct his father’s funeral, where he unites with his other buddy, Moran (Reena Roy). The stage has been set for a love triangle as well as a revolutionary vendetta.
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